Madhukeshwara Temple, Banavasi, Sirsi

Madukeshwara temple is the most important monument of the place. Originally built by the Kadambas, it has undergone many additions and renovations, from the Chalukyas to rulers of Sonda over a period of a thousand years. ‘Madhu’ means ‘honey,’ and since the Shiva Linga is of the colour of honey, the temple is named Madhukeshwara Temple.

The temple is naturally a synthesis of several schools of architecture. With a blend of different styles, Madhukeshwara Temple provides a real treat to the admirers of architecture. The innermost sanctum sanctorum is built in a very plain style with minimal carving on the door and the lintel. The Sankalpa Mantapa, in front, reveals the influence of the Chalukya style. There is a seven-foot huge Nandi idol made of a single stone. The dancing hall was added during the Hoysala period and has exquisite carving on the pillars and the ceiling. This is the spot where the legendary Natyarani Shantala challenged the famed musician Allama Prabhu. These diverse forms in different parts of the temple amply prove that the temple has taken several centuries and contributions from many dynasties to reach its present shape. Though presently a shivalinga of ancient times is there, it is believed that original shrine was that of Vishnu. The statues of Keshava (Vishnu) and Kartikeya are also there, which are attributed to Kadamba times.

There are many smaller idols of different deities, added from time to time in the renovated temple. A unique 'Ardha Ganapathi' which literally portrays vertically-half Lord Ganesha, symbolises the bachelorhood of Ekadanta standing without the Ardhangi.The famous five-hooded Naga sculpture with the Prakrit inscription of 2nd century AD was installed by princess Sivaskanda Nagashri when she got constructed a Vihara and tank as per the inscription in second century AD. In the compound of Madhukeshwara temple, there are two monuments. The mantapa and a stone cot are beautifully carved monolithic structures, which are contributions of Sonda rulers. There are twenty temples and monuments round about Banavasi. These are mainly Shaiva Vaishnava, Shakti (Parvati and her local image, mari).

Madhukeshwara Temple, constructed during the 9th century by the Kadamba Dynasty, is famous for its architectural designs and carvings. The temple has several monolithic stone works such as a stone couch and triloka mantapa depicting heaven, earth and the nether. The idols of Lord Shiva and Lord Vishnu can be seen in the temple.


Banavasi is a small town near Sirsi (around 24km from Sirsi). It was the capital city during Kadamba’s rule. It has a rich history dating back to more than two thousand years. The main attraction in this city is the Madhukeshwara Temple built over many centuries by various dynasties including Kadamba, Hoysala and Chalukya. It is also believed that the temple is also built by the famous sculptor Amarashilpi Jakanachari.


Though the place is not a developed tourist place, we could still get some information from the priest over there (unfortunately lost the recording that I had done, but still remember some facts). The word Madhu means honey and since the Shiv Linga is in the color of honey the temple is called as Madhukeshwara temple.
Nestled deep in the forests of Western Ghats, this temple town is covered by Varada river on three sides. Its fertile soil grows rice, sugarcane, arecanut, spices and pineapple. Banavasi literally means the “inhabitant of the forest”. It is claimed that this is oldest city next only to Varanasi.



The Garbha gudi (where the lord resides in the temple) is done in a very plain style with very little carvings on pillars and doors. The Triloka mantapa where the lord is offered puja reveals Chalukya influence. The Triloka mantapa is believed to be carved out of a single stone.


There is also a dancing hall in the front which was done during the Hoysala period. It has some exquisite carvings on pillars and on the ceiling which basically form the dancing hall. It hall has four pillars which is carved in such a way that it has mirror like finish. It is believed that this shiny surface acted as a miror so that many people could watch the dance performance which used to take place.

The Bell which hangs just outside the Garba Gudi has an unique feature, which when ringed the vibration lasts for a minute or more and one can hear as if somebody is chanting the word “OM”.
These diverse forms in different parts of the temple amply prove that the temple has taken several centuries and contributions from many dynasties to reach its present shape.
There is also a stone cot (kallu Mancha) dedicated to the lord. It is also carved out of a single stone. The Triloka mantapa and Stone cot are the contributions of Sonda rulers.




Like in any other Lord Shiva temple there is a Nandi idol carved out of a single stone which stands in front of the lord 7 feet tall. There is an interesting fact about this Nandi idol. It is not facing the lord straight but slightly deviated towards the right since it is guarding two of them, with one eye watching the lord and with other watching Devi Parvathi. One can clearly view the right eye of Nandi from the Goddess Parvathi temple even through numerous pillars. Such is the genius of the sculptor.


Another significant temple in the premises is that of Shantha narasimha portrayed with two hands (rather than the usual four hands). The unique feature of this idol is its eye opening which changes with the light intensity (its portraits wide open eyes in the dark and when bright it eye lids looks as if closing down)
There are many smaller idols of different deities, added from time to time in the renovated temple. A unique ‘Ardha Ganapathi’ which literally portrays vertically-half Lord Ganesha can be seen in the temple premises. It is beleived that the other half of it is located in Varanasi.



It also has Goddess Parvathi Devi, Lord Vishnu, Parashurama, Dhundiraj ganapathi idols, Astadikpalakaru statue etc. The famous five hooded Naga sculpture with the prakrit inscription of 2nd century was installed by princess Sivaskanda Nagashri when she got constructed a Vihara and tank as per the inscription in second century.

How to Get to Madhukeshwara

The nearest airport to Banavasi is Hubli which is 100 km away. Nearest Railway Station is at Haveri, 50 km away. The easiest way to reach Banavasi is to get a bus to Sirsi, a major bus Terminus 23 km away. From Sirsi, regular bus service is available to Banavasi.

The best time to visit would be during the Rathotsava in March, Mahashivarathri and during the two day Kadambotsava cultural festival in December every year.

Mahabaleshwar Temple, Chamundi Hills, Mysore

Mysore Palace and Mysore Zoo are not the only popular destinations of Mysore, the heritage city of India. Chamundi hills, which is located at a distance of around 13 km from Mysore city is also a popular destination. The highlight of Chamundi hills might be the huge Nandi (bull) idol, Chamundeshwari temple, and the large statue of Mahisasura demon. There is another destination in Chamundi hills, which most of the people are not aware of, and easily miss out to visit. That beautiful destination is Mahabaleshwar temple.

The ancient Mahabaleshwar temple, dedicated to Lord Mahabaleshwar (Shiva) is located right next to the famous Chamundeshwari temple. This temple is much older than Chamundeshwari temple. In fact, this is the original temple of Chamundi hills. However, it is unfortunate to find that not even 1% of crowd that visit Chamundeshwari temple visit Mahabaleshwar temple. In one way, it is good to find not much crowd in this temple; we can calmly enjoy the beauty of this temple.

Mahabaleshwar temple was built in the 8th century AD by Ganga kings. Later the temple was renovated by Hoysala kings. The bronze idols that are found in this temple are believed to be of Chola period. Thus, this temple of Mahabaleshwar in Chamundi hills was popular in Ganga, Chola, and Hoysala period. Only during the period of Wodayar king, Chamundeshwari temple got importance and this temple got unnoticed.

Mahabaleshwar temple is architecturally beautiful. One can feel the blend of Hoysala and Ganga architecture in this temple. The main deity of the temple is Mahabaleshwar which is in the form of Shiv linga. The linga idol has Shiva’s face on it. There is Parvati’s idol on the left side of Shiv ling. As usual, Nandi’s idol is located in front of the main shrine of Mahabaleshwar. There are idols of Sapta Mata (seven mothers), Ganesha, another Ganesha, and Nataraj along with Sivakami. It is rare to find the stone idol of Nataraj, which is found here. In addition to that, there is a separate shrine for Nataraj along with Sivakami. In the corridor surrounding the shrine (prakara), there are idols of Dakshinamurthy, Chandikeshwara, and Lingothbava. In addition to that, there are 4-5 shrines for various forms of Shiv lingas.

When you visit Chamundi hills near Mysore, don’t miss this beautiful ancient temple.

Temple Timings:

08:00 am - 09:30 am ; 07:00 pm – 08:00 pm.
Public Holidays: 08.00 AM - 08.00 PM

Location:

Mahabaleshwar Temple of Mysore is one among the most ancient and beautiful temples of the South. Situated atop the Chamundi Hills, Mahabaleshwara Temple is considered to be one among the most visited religious destinations in the South. Chamundi hills, 13 kms from Mysore, Karnataka state, India.

Few Words From Brahmanda Guruji Shri Narendra Babu Sharma

According to Guruji Goddess Chamundeshwari resides here. Devotees are requested to meditate Panchakshari Maha Mantra - Om Namah Shivaya for 108 times and offer your prayers.

Thondanur (Kere Thonnur) - Sri Gopala Krishna Swamy Temple, Padavapura, Mandya

Gopalakrishnan Temple is located East of the Nambi Narayana Perumal temple in Thondanur. The moolavar idol of Lord Parthasarathy is believed to date back to the Dwapara Yuga and was installed by the Pandava King Yudhistra.

In the 11th Century AD, an endowment of money was made by Udaya Pillai to God Veetrirundha Perumal, one of the three ancient Vishnu temples of Thondanur. From the interest received from this endowment, copper and silver vessels and other worship objects like Thaligai utensils, Tiruvadi, Kendi, Mani (bell) and Cup (Vettil) were made to the handsome Lord Parthasarathy seen in a grand sitting posture along with Sri and Bhoo Devi.


Parthasarathy temple is one of the three ancient Vishnu temples of Thondanur that were consecrated during Ramanuja’s stay here at Thondanur before he made his way North to Melkote.

Out of the three Perumal temples of Thondanur, Lord Parthasarathy is rich in inscriptions dating back to early 11th Century AD that gives us an indication of the name of this place, the kings ruling this place at that time, the way this Lord was referred to and the posture of this Lord. All the three Vishnu temples of Thondanur have been designated as a heritage monument and comes under the control of ASI.


In 1177AD, during the rule of Vira Ballaala Deva, a grant of Bhoganahalli Village along with its hamlet was made. In addition, the income from taxes on loom and houses was directed to the service of Veetrirundha Perumal. Another Hoysala ruler, Narasimha, granted villages of Bottahalli, Sirimakkanahalli and Maarurumhalli along with income from taxes – Olavaaru, Horavaaru and Hole-Sunka to Veetrirundha Perumal of Yadava Narayana Chaturvedi Mangalam.


In the 13th Century AD, the people of Yadava Narayana Chaturvedi Mangalam gifted 20 Pons to organise festivals in Panguni here at the temple of Veetrirundha Perumal.

During the rule of Hoysala King, Jagadakomalla Narasimha Deva who ruled from Dorasamudra, there was construction and consecration of the temple of Veetrirundha Perumal and Goddess Lakshmi in 1157AD through a grant of Villages.


In the 11th and 12th Century AD, Lord Parthasarathy here at Thondanur was referred to as ‘Veetrirundha Perumal’ indicating his grand sitting posture.

In 1191AD, Hoysala Vira Ballala II made a gift to Lord Gopinathan, another name for Veetrirundha Perumal in those days. This Lord who was also referred to as ‘God Vennai Kutta’ was gifted 10Pon for supply of 2Naali of rice for food offerings. In the 13th Century AD, this temple was referred to as the Krishna temple of Yadava Narayana Chaturvedi Mangalam. During this period, this temple was also referred to as Ainnurruva Vinnagaram.


One comes to know that there was regular early morning service of food offerings to Lord Parthasarathy through a gift made to the temple of 20Gadyaanas. Ramanuja’s disciple gifted a village to Veetrirundha Perumal to ensure the daily food offerings to the Lord at this temple. In the 12th Century AD, Kodai Andal Ammai gifted a share for maintaining lamp at this temple.

When at Thondanur, visit the Thonnur Kere (the huge dam) built by Thondanur Nambi, the disciple of Ramanuja.


The Moolavar is Sri Parthasarathy Swami in Iruntha Thirukolam with Rukmani and Sathyabama. He is in a stage called Tribangam, which is a posture in Bharatanatya. The moolavar is Sri Parthasarathy in sitting posture with chathur bhujam holding sankhu, chakram in his upper arms, right lower hastam in abhaya hastam and left hastam placed on HIS lap. Sri, Bhudevi nachiyars are also in veetruirundha thirukolam. Utsavar Krishnar is in dancing style. The uniqueness about this idol is Perumal’s right foot is in front and left foot behind. The archakar informed that this temple was about 5500 years old built by Yudhisita. The vigrahams of Chakaratazhwar, Nammazhwar and Ramanujar are placed outside the garbagriham.

Timings:

08:30 am to 01:00 pm and 03:00 pm to 06:30 pm.

How to reach:

Pandavapura is about 100kms from Bangalore on the Mandya- Srirangapatna- Mysore Highway. From Pandavapura, buses every one hour to Thondanur (Thonnur Kere) – take the Narayanapura bound bus. Autos are available from Pandavapura bus stand. Number of Share autos ply between Pandavapura and Thonnur.

Contact:

Raghurama Bhattar @ 08236 251795 / 94493 72453

Thondanur (Kere Thonnur) - Sri Nambi Narayana Temple, Padavapura, Mandya

Ramanujacharya, the saint-philosopher, who propounded the Vishistadvaitha philosophy had fled Srirangam in Tamil Nadu. He took refuge at Thonnur, a small village near Melkote in Pandavapura taluk of Mandya district. Many scholars give different versions about how long he stayed there, but it seems that he had a lengthy sojourn here going by many events and legends connected with him. Bittideva, the Jain King of the Hoysala dynasty, was attracted by Ramanujacharya's teachings and became a Vaishnavite and called himself Vishnuvardhana. It is said that Thonnur became the second capital of Hoysalas during this period.


The two temples that capture the attention of visitors here are the Nambi Narayanaswamy Temple and the Venugopalaswamy Temple. Legend has it that the temple of Nambi Narayanaswamy got this name as Lord Narayana graced Nambi, a disciple. This temple was constructed in the 12 th century AD during the regime of Vishnuvardhana to commemorate his victory over the Cholas at Talakadu. According to an inscription, Suragi Nagaiah, one of the generals of King Vishnuvardhana, built this shrine. The temple has a Navaranga, a Maharanga Mantapa, a Ardha Mantapa, a Shukanaasi, a Garbha Griha (Sanctum Sanctorum) and a big Paataalankana.


While all images of Narayana have a Chakra and Shanka on their right and left hands, it is uniquely opposite in the case of Nambi Narayanaswamy. To the right of Narayanaswamy, there is an image of Lakshmi. Gadha (Mace) and Padma are found on the upper hands. The nine-foot high main deity is flanked by Sridevi and Bhudevi on the right and left sides respectively. The images of Narayanaswamy, Sridevi and Bhudevi are carved out of a single stone.


In Navaranga, among other pillars, four are in softstone. The remaining are in granite. Ornate designs of flowers and beads are carved on these pillars. According to experts, the four similar softstone pillars were forerunners to the pillars found in Belur and Halebeedu temples. The images of astadikpaalakaas are also found here. The Ardhamantapa has the padukaas of Ramanujacharya. The Vimana of the shrine is in Dravidian style and built of mortar.


Fifty pillars adorn the Maharanga Mantapa. The Paataalankana has 40 octagonal-faced pillars. 45 feet high Garudagamba lies in front of this shrine. Some scholars are of the opinion that the Paataalankana and the Maharangamantapa are subsequent additions.


18 feet tall presiding deity Lord Perumal in the temple built by Acharya Sri Ramanuja appears majestically holding the conch in the right hand and the discus in the left. The idol of Sri Ramanuja, as Adisesha is in the Lord Narasimha temple. The Acharya also built a vast lake here which never goes dry. The temple with its minute architecture and beauty is under the administration of the Department of Archeological Survey of India.


There are several inscriptions dating back to the 11th Century AD that describe the contributions made by different rulers of that period to the upkeep and maintenance of the temple and the conduct of various festivals during the year.

A 12th Century AD inscription in Tamil with Grantha Characters refers to a gift of 5Gadyanas of gold paid into treasury by Kunraara Deva Perumal Bhattar for maintaining a perpetual lamp at Lakshmi Narayana from out of the interest accrued upon the endowment.


Centuries ago, this place was referred to as Yadava Narayana Chaturvedi Mangalam. Inscriptions refer to Veera Narasimha, the Hoysala ruler leading his kingdom with Dorasamudram as his capital and granting 64 gadayaanas to the people of Thondanur Agrahara for undertaking any repairs to the temple.

Temple Timings:

09:30am - 05:30pm.

Location:

Tondanur is just 8 kms from Pandavpura in Mandya District, Karnataka. Pandavpura is linked to the Bangalore-Mysore Highway. Also, Tondanur is just 20 kms from Melkote. While travelling from Melkote to Pandavpura, Tondanur is a diversion on the right side.

Contact:

Seshadri Bhattar @ 97418 19202.

When at Thondanur, visit Yoga Narasimha Temple. Also, visit Thiru Narayana Temple at Melkote, about 20kms from here.

Thondanur (Kere Thonnur) - Sri Yoga Narasimha/Sri Ramanuja Temple, Padavapura, Mandya

Located 20kms North of Srirangapatna and just North of the Nambi Narayana Temple is the Yoga Narasimha Perumal temple in Thondanur, one whose idol is believed to have been installed by Prahalada in the Kretha Yuga. Hence, the idol here is said to date back about 5500years. One has to climb about 15steps to reach the temple. This temple is seen as a special Abhimana Sthalam of Ramanuja.

Ramanuja is seen in a one of its kind Sesha Roopam at this temple.
The Magical Dhanda used to liberate Hoysala King Bitta Deva’s daughter can be seen to this day inside the Yoga Narasimha Sannidhi.


Our great Acharya Sri Ramanujacharya took refuge here in the 11th Century when he fled from the evil King, Krimikanta Raja. It is from here that Sri Yathiraja continued propagating Sri Vishista Advaitha Siddantha. This place is very close to Melkote (Thirunarayanapura), where Lord Sri Thirunarayana (one of the Pancha Narayanas) was reinstalled and worshipped by Sri Ramanuja himself. The other four Narayanas established by Sri Ramanuja are Sri Nambi Narayana at Thondanur, Sri Keerthi Narayana at Talakadu, Sri Vijayanarayana (Chenna Keshava) at Belur and Sri Veera Narayana at Gadag – all in Karnataka. Sri Nambi Narayana is adorning Chakra and Shanka in the left and right hands opposite to the normal right and left hands. This is to show that he is in MUDRADHARANA posture to initiate people to the SRIVAISHNAVA family.He was said to have done Samasryanam to Thondanur Nambigal. Thondanur Nambi is one of the Great Acharya who offered shelter to our Ramanujacharya.

After his exile from Srirangam, Ramanuja came first, here to Thondanur, before proceeding to Melkote.
Here at Thondanur, Ramanuja’s disciple Thondanur Nambi, who also built the famous Thonnur kere (the huge dam North of this temple) brought the Hoysala King Bitta Deva and his daughter to Ramanuja.


The King’s daughter had been afflicted with Brahma Rakshasha and was not in a proper state of mind. Ramanuja directed the king to take his daughter to the huge Eri (Sarovar) known as ‘Pancha Apsara Thataka’. He asked the king’s daughter to bathe there and then invoke the blessings of Yoga Narasimha at the temple South of the dam. At the temple, the Archaka placed the Narasimha Dhanda on the daughter and to the king’s surprise she was instantly liberated from the illness. To this day, one sees Yoga Narasimha holding this magical Dhanda/Scepter in his right hand. The archakar places the dhastamam/dhanda on the visitors head.


Belief is that Lord Yoga Narasimha fulfills all the prayers of the devotees here at this temple. Once fulfilled, the devotees present a Veshti (Dhoti) to Yoga Narasimha and an Orange Veshti to Ramanuja at this temple as a thanks giving gesture.

When asked what he wanted, Ramanuja informed the king that he was here to propagate Vishistaadvaitha and that he would like the King to convert to a Vaishnavite. Bitta Deva, much against the wishes of his people, became a Vaishnavite and changed his name to Vishnu Vardhan reasoning out to his people that in this Kali Yuga, Ramanuja was the avathara of Sesha (similar to how Lakshmana was in the Tretha Yuga).

An unhappy lot, the 1000 Jains of Thondanur wanted to confront Ramanuja in a debate. Outside the Yoga Narasimha Temple, after Ramanuja invoked the blessings of the Lord, he was thrown 1000 questions by the people of the kingdom. And in one go Ramanuja hit back at them with 1000 answers much to the delight of the people. Pleased with his answers, the Jains converted to Vaishnavism. It is said that Sri Ramanujacharya addressed a gathering of 1000 sarmans (jain pundits) and answered all their questions simultaneously by taking the form of Adishesha from behind a curtain. The amazed pundits were awe struck by his versatility. This is the Avathar found in the temple.


When the time had come for him to leave for Srirangam, the people of Thondanur, who had become fond of him, asked him to stay back here. He told them that he would have to leave but would leave his powers here and installed his own idol here at Yoga Narasimha temple with Vaikanasa Agama Sastras and is seen even today in the Sarpa Roopa form. While in Melkote, he has an Abhimana status, in Srirangam he is seen in ‘Shareeram’ (body form) and in a Sthoola Roopam (Athma form) at Sriperambadur. Here in Thondanur at the Yoga Narasimha temple on the banks of the Thonnur Kere, Ramanuja is seen in a Sookshma Roopam (Atom) with conch and chakra.

Another interesting feature is here Swamy Ramanujar seated in Padmasana shows Jnana mudhra and does not have Tridandam. (While leaving Srirangam he left the tridandam (holy staff) with Kooratazhwan)


The basket used by Ramanuja in the 12th Century AD is still seen inside the temple.

How to reach: Direct buses from Pandavapura Bus Stand (bus bound for Narayanapura) every one hour. Will take 30 minutes from Pandavapura. Autos are available from Pandavapura to Yoga Narasimha temple. 130 Kms from Bangalore, 30 Kms from Mysore, 8 Kms from Padavapura; 20 kms from Melkote on SriRangapatna highway.

Timings: 09:30 AM - 05:30 PM

Contact: R Raghurama Bhattar @ 08236-251795 ; 9449372453.
Sheshadri Bhattar @ 9741819202 & 08236-215285.

Watch the below video on the temple, explained by Sri U. Ve. Velukkudi Krishnan Swami:


Watch the below video on the temple, explained by Temple Priest:

Sri Surya Narayana Swamy Temple, Domlur - Bangalore.

Surya Narayana Temple in Domlur is one amongst the very few Sun God Temples in India and it is located in Bangalore city. The Surya Narayana Temple is dedicated to Lord Surya Narayana (Sun God).

The Surya Narayana Temple in Domlur was built by Sri Patel D. R Krishna Reddy in the year 1995, and it was inaugurated by his Holiness Shree Shree Shree Shiva Kumar Swamiji of Sidda Ganga Mutt, Tumkur.

The Surya Narayana Temple in Domlur is superbly constructed by expert and crafty artisan in Chola style. The Surya Narayana temple attracts a large number of devotees every single day, also on fairs as well as festivals that is done on Magha masa Sudha Trithiya.


The idol of Surya Narayana was bought from Badrinath and it is 3.25 feet in height along with the Prabhavalli. Underneath the deity, you can see the idols of Kashyapa and Aditi.

You can even see Vaishnavi, Brahma, Nagaraja, Ugranarasimha, Saraswathi, Panchamukhi Ganesha, besides Surya and reclining Adi Sheshasayi, kindly showering their benevolence for mortals below.

There exists an udhbhava huttha at precincts, which was formed after the platform was constructed.

The management of Surya Narayana Temple is doing yeomen service benefiting the people in surrounding area.


It still has a large open space and there is no rush of either Gods or devotees. The temple is very neat and clean - sparking clean. Cleaning seems to be an daily routine here. There is ample parking, partly attributed to the Kalyana Mantapa (or Marriage Hall) associated with it. Among the various deities in the temple, most are related to the Sun. The temple is not crowded. It does not promise to be a one-stop shop for all deities in the near future. Just as the ISKCON temple in Yeswanthpur has paintings on the inner ceiling, this has paintings on the inner walls. The paintings have a strong Rajasthani flavour - the Painter was either from the North of India or all his models were.

Annual Fair: The annual fair of Surya Narayana swamy in Domlur is held on Rathasaptami day. The 32 feet chariot is brought out only on the Rathasapthami day when the people pull the chariot with an abandoned dedication of holiness as well as happiness of being near God.

How to Reach here:

The exact address is:
Sri Surya Narayana Swamy Temple,
No. 74/1, K.R. Colony, Domlur Layout (Old Airport Road),
Bangalore - 560071.
Karnataka
Phone : +91-80-25350386

You have multiple options to reach this place. You can get off at the Domlur Bus Stop and take an Auto - you pay the minimum fare or just walk down.
The following busses reach Domlur Bus stop:

•From Shivajinagar: 132, 134, (330 ABCD), 331
•From City Market: 332, 324, 329, 332, 335, 336, 338
•From Majestic: 62, 131, 131 E, 131 F, 333,


If you are on your own vehicle, when coming from Marathahalli side (or Manipal Hospital) on the OLD Airport Road, take a left towards the CPWD Quarters. Take a left at the Dead end and take the first right, left at the dead end and right again. You will find an open car park. If you are coming from the MG Road side, a right turn is NOT allowed at the CPWD quarters. So you will need to take the PREVIOUS right turn (the one that leads to the Domlur Venkeswara Swamy Temple) and then take the internal roads to reach this place.

Have the darshan of Sri Suryanarayana Swamy Temple, Domlur - Bangalore, through this video, To view : Click Here

Menstruating Goddess of Kamakhya Temple, Assam

Kamakhya Temple, which is situated at the top of the Nilachal Hill at about 800 feet above the sea level. The entire temple complex not only comprises of many other temples but also a whole set of people connected with them. Apart from the main devi temple, it also comprises of some other major temples of devi Kali, Tara, Bagala, Chinnamasta, Bhuvanesvari, Bhairavi and Dhumavati.


There are some other temples of various goddess can be seen in the complex. They are the Sitala Temple, the Lalita Kanta Temple, The jaya Durga Temple, the Vana Durga Temple, the Rajarajesvari Temple, the Smasanakali temple, the kail temple of Abhayananda dharmashala and the Sankhesvari temple. There are five temples of Lord Shiva in the Kamakhya complex. They belongs to different forms of Lord Shiva like Kamesvara (Umananda), Siddhesvara, Amratokesvara (Heruka), Aghpra, and kotilinga (Tatpurusa).

The complex also contains three temples of Lord Visnu. They are as the Kedara (Kamalesvara), situated near the northern side of the main temple, as the Gadadhara, situated in the north-western direction of the Kamakhya temple, and as Pandunath, which is situated in the eastern foothills of Nilachal also known as Pandu.

Legend of Kamakhaya:

Once Naraka, motivated by his carnal desire, wanted to marry Devi Kamakhya. When proposed, the goddess playfully put a condition before him. If Naraka would be able to build a staircase from the bottom of the Nilachal hill to the temple within one night, then she would surely marry him.


Naraka took it as a challenge and tried all with his might to do this marathon task. He was almost about to accomplish the job when the Devi, panic-stricken as she was to see this, played a trick on him. She strangled a cock and made it crow untimely to give the impression of dawn to Naraka. Duped by the trick even Naraka thought that it was a futile job and left it half way through. Later he chased the cock and killed it in a place which is now known as Kukurakata, situated in the district of Darrang. The incomplete staircase is known as Mekhelauja path.

Different Types of Puja:

Apart from the daily puja offered to the Devi, a number of special pujas are also held round the year in the Kamakhya Temple. These pujas are Durga Puja, Pohan Biya, Durgadeul, Vasanti Puja, Madandeul, Ambuvaci and Manasa Puja. These pujas accompanied by manani pujas are also held according to daksinacara method of Tantric tradition.


Durga Puja : The worship of Goddess Durga is held for sixteen days at a stretch during the month of Asvina.

Pohan Bia : A symbolic marriage between Lord Kamesvara and Kamesvari during the month of Pausa.

Durgadeul : During the month of Phalguna, Durgadeul is observed in the kamakhya temple.

Vasanti Puja : This puja is held at the Kamakhya temple durinh the month of Caitra.

Madandeul : This deul is observed during the month of Caitra when Lord Kamadeva or Kamesvara is offered special pujas.

Ambubachi : Being a mother figure, Devi Kamakhya also undergoes menstruation period on an yearly basis during the early part of the month Ahar, which is observed as Ambubachi.

Manasa Puja : Manasa puja is observed from the Sankranti of Sravana and continues upto the second day of Bhadra.

Ambubachi Mela:

Ambubachi Mela, also known as Ambubasi festival, is held annually during monsoon in the Kamakhya Devi Temple at Guwahati, Assam. The Ambubachi festival is closely related to the Tantric cult and is also known as Kamkhya Devi Puja. It is believed that Goddess Kamakhya goes through her menstrual cycle during these days and therefore the temple remains closed for three days. Ambubachi Mela is also known as Ameti or Tantric fertility festival and is a four-day mela (fair).

It is widely believed that Goddess Kamakhya goes through her yearly menstrual cycle during the Ambubachi days. The temple remains closed for three days – the menstruation period.


People in large numbers wait outside the temple on the fourth day, when the temple will be opened. Sanyasins and Pandas from around the country assemble at the Kamakhya temple during this period.

Large number of devotees make a mad rush when the temple reopens to receive the unique ‘prasad’ which is small bits of cloth, which is supposedly moist with the menstrual fluid of Goddess Kamakhya. It is considered highly auspicious and powerful.

The prasad is distributed in two forms – Angodak and Angabastra. Angodak literally means the fluid part of the body - water from the spring and Angabastra literally means the cloth covering the body - a piece of the red cloth used to cover the stone yoni during the days of menstruation.

Daily Events:
5:30 AM Snana of the Pithasthana.
6:00 AM Nitya puja.
8:00 AM Temple door open for devotees.
1:00 PM Temple door closed for cooked offerings to the goddess followed by distribution among the devotees.
2:30 PM Temple door reopens for the devotees.
5:30 PM Aarati of Goddess followed by closing of the temple door for the night.

Temple Contact Details:

Official Address of The Kamakhya Debutter Board :
Office of The Kamakhya Debutter Board,
Kamakhya Temple Complex,
Kamakhya, Guwahati - 781010,
Assam.
Phone : + 91-0361-2734624, + 91-0361-2734654

The above mentioned office can also be contacted for the marriage registration purpose under the indian constitution.
The office timing is from 8 :00 A.M. to 5:30 P.M.

Sri Panchalingeshwara Temple, Begur - Bangalore

Nestled about 25 km from the posh M G Road, Bangalore is a small hamlet called Begur off Bomanhalli on the Hosur highway. This insignificant village was once a great center of Sanskrit and Vedic studies; sadly today amid the ravages of time subsist a reminder, and is the 1300-year-old Sri Pancha Lingaeshwara or Begur Temple. Sri Kulutunga Raja the First of Chola Dynasty, and Sri Rajasimhanandi of Talakad Ganga Dynasty built this Temple in 8th century A D. They built about 108 Temples in South India, and this Temple is 18th in hierarchy. Built in granite the Temple reflects simplicity and grandeur, and truly has an ambience that is spiritual and sanctified.


Sri Parvati Sametha Nagaeshwara Swamy Linga This Shrine has a Nava Ranga, and is an area where devotees can pray looking towards the Garbha Griha (Sanctum Sanctorum) of Sri Parvati Sametha Nagaeshwara Swamy Linga. There are Idols of Sri Ganesha, Sri Chamundaeshwari, Sri Kaala Bhairava, Sri Vishnu, Sri Soorya Narayana, Sri Chandra, Sri Sapta Matruka and Sri Kashi Vishwanatha facing north towards Kashi in the Nava Ranga. Another interesting aspect here is that the idol of Sri Soorya Narayana (Sun God) is placed facing west towards this Linga, and according to B N Lakshman, nephew and assistant Priest to B S Ananth Deekshitar, this probably is the only Temple in India where Sri Soorya Narayana is placed like this. Traditional Temple Vaasthu Shastraa proclaims that the idol of Sri Soorya Narayana should be placed facing east. This Temple also has a small shrine dedicated to Him. This positioning according to B N Lakshman Deekshitar is to encompass the first rays of the rising sun on the Moola Vigraha, or the Linga. This Temple is also known as Bhaskara Kshetra (Sun Temple).


There is a colourfully drawn Yantra (Divine Symbol) below carvings of Uma Maheshwara and Ashta Dik Palakas (8 Guarding Angels) on the ceiling. Standing here facing the Sri Parvati Sametha Nagaeshwara Linga and praying is said to ward off mental depression, enemies, disease and protection from black magic etc.

Area between Nava Ranga and Garbha Griha is a room known as Sukanaashi, and is a place where Pooja Samagri (Articles used for Pooja), and Utsava Moorthi (Idols used for processions during Temple Festivals are kept). This Linga is about 3.5 feet long and is usually adorned with jasmine, bilva leaves, kankambara flowers, vihbhuti (Sacred Ash), cloth and sandal paste etc.

Outside the Nava Ranga is an idol of Sri Nandi facing the Linga, and behind Sri Nandi is a Homa Kundam (Altar where Homam or a special type of Poojas are performed). There is a small Sri Nandi facing this Homa Kundam.


There is a seperate shrine for Sri Parvati, and is represented by a five-foot idol of the Goddess. She is also known as Sri Dakshina Kali and standing left of this idol and praying is believed to cure all blood related diseases, including blood cancer. This divine form of Mother Goddess is the consort of Sri Nagaeshwara Swamy, and is never seen with other forms of Sri Shiva that are worshipped here. Praying to Her also bestows happiness, wealth and spiritual solace.

At the entrance to this shrine is the oldest idol of Sri Ganesha found in south India, and according to B S Ananth Deekshitar, Chief Priest, is about 1300 years old. According to recorded archeological documentation there are only two, two-handed Ganesha's in the world and are in Pillaiyarpatti, Tamil Nadu and in Afghanistan. There is no mention of the Ganesha idol seen here. This Ganesha idol is in Chola tradition, and is seen holding a Linga in the right hand. The idol of Sri Karpaga Vinayaka at Pilliarpatti has the trunk turned to the right (Valampuri), and here it is to the left (Edampuri).


Pilliarpatti Temple is rock cut and probably was built around 4th century A.D. by Pandian Kings. A master sculptor called 'Ekkattur Koon Peruparanan' carved Sri Shiva Linga and idol of Sri Karpaga Vinayaka in this Temple. His signature on a stone inscription can be seen in the Sanctum Sanctorum and is inscribed in Tamil language that existed between 2nd and 5th century A.D. The idol at Afghanistan is in a standing posture and has a number of ornaments adoring the deity and was built at a later era*.

*Source: The wonder that is Pilliarpatti Author: Dr.V.Thenappan Published by: Karpagam Publications, Karaikudi, Tamil Nadu- First Edition: Aug-1997

1 Two-handed Ganesha represent Pranava or Om, the sacred syllable from which Sri Parvati created Sri Ganesha. Sanskrit and Tamil are two ancient languages of India with divergent origin; yet, both eminently project the same heritage evolved in religion. Their alphabets are different, yet the letters, which represent OM, have a remarkable semblance. If the Sanskrit OM resembles the head of an elephant with a raised trunk, the Tamil OM has almost the same shape with a downward trunk. In fact, in all the major Indian languages, although the alphabets vary much, this resemblance is noticeable in all letters that represents OM*.

*Source: Sri Ganesha by Srikant Published By: Integral Books, Payyanur, Kerala Revised Edition January 1995

There are also idols of Sri Subramanya in serpent form, Sri Soorya Narayana and a carving on the wall depicting a scene from the Puranas (Fables).

Sri Choleshwara Linga:

The shrine of Sri Choleshwara is where unmarried girls come and pray, standing below the carved Ashta Dik Palakas (Eight Guardian Angels) and Uma Maheswara on the ceiling, for an early and good alliance. The Linga is about four feet high, and there are no other idols in the Nava Ranga here. There is a Sri Nandi in the Sukanaashi about two feet high facing the Lord.

Sri Kali Kamateshwara Linga:

The idol of Sri Kali Kamateshwara is about three and a half feet high and is very similar to the idol of Sri Mookambika at Kollur. Both idols have a Linga (Depicted as the head of Sri Eashwara) placed at their feet. Here the idol is known as Kamateshwara Linga, and is less than one feet. On the ceiling of the Nava Ranga there is a Padma (Lotus) shaped carving and devotees come here and pray to Sri Kali Kamateshwara for Santhana Bhagya (Progeny), court disputes, health and protection from enemies etc.


In the Nava Ranga is an idol of Sri Ganesha. An idol of Sri Nandi faces this idol at the entrance of this shrine and is placed not directly to the idol, but towards the right. Hence it is not auspicious for Sri Nandi to face Shakti or Divine Mother in Rudra (Angry) form directly.

Sri Nagareshwara Linga:

There is a huge idol of Sri Nandi (About four feet) in front of this Shrine of Sri Nagareshwara here in Begur. As mentioned earlier there is a Shrine for Sri Soorya Narayana here and is located behind this Sri Nandi. Here again the idol of Sri Soorya Narayana is placed East, facing West towards the Linga of Sri Nagareshwara.


In Nava Ranga here, there is Sri Rama Linga facing south towards Rameshwaram, Idols of Sri Chamundaeshwari, Sri Kaalabhairava and Sri Ganesha (Similar to the idol found outside the Shrine of Sri Parvati). There are carvings of Astha Dik Palakas (Eight Guardian Angels). Devotees stand right side of this Linga and pray for good business prospects and prosperity; and on the left side of this Linga for prevention and cure of eczema and other skin disorders. This is the largest of all Lingas in this Temple, and is over four feet tall

It is believed that Sri Kalinga Sarpa or five-hooded cobra resides in the Temple, blessing and protecting devotees who come there. In the night Saptha Rishis (Seven Sages) and Ashta Dik Palakas (Eight Guardian Angels) are believed to perform Poojas here.

Sri Karnaeashwara:

The last Shrine is dedicated to Sri Karnaeashwara. This is the smallest of all the Lingas here and measure about two and a half feet. There is a small Sri Nandi in front of this Linga and is devoid of Nava Ranga and Sukanaashi. Devotees stand on the right side of the Linga for relief from stomach pain and other stomach and intestine related diseases, in front for ear pain and other ear related problems, and left side of Linga for paralysis, nervous problems and brain disorders.


There is also an altar for Nava Graha Mantapa (Nine Planets) in this Temple, and is near the Shrine of Sri Parvati.

The shrine for Sri Soorya Narayana is in front of Sri Nagaeshwara's shrine, behind the idol of Sri Nandi.

Temple Architecture:

The Temple is built in granite, and entrance is through a small Raja Gopuram.


A stone Sri Vrishabha Kambha is seen outside the Sri Kali Kamateshwara shrine and depicts Sri Nandi, and usually seen in most Sri Shiva Temples. In ancient times an oil lamp used to be lit on top of Sri Vrishabha Kambha, and this ritual does not exist anymore. Sri Garuda Kambha is seen in most Sri Vishnu Temples.

Kambha is a granite pillar with carvings in semblance like a Dwaja Stambham (Flag Mast).

Sri Vrishabha form of Sri Nandi is depicted as a complete bull without any human attributes. Sri Nandi has a human face with a body of a bull.

There is another stone Sri Vrishabha Kambha in the Temple courtyard, over 30 feet tall and one of the tallest in Karnataka. At the base are carvings of Sri Ganesha, Sri Linga, Sri Vrishabha and Sri Brahma Rakshas haunting the Chola King Sri Kulutunga Raja the Second, when he committed Brahma Hatya or murder of a Brahmin.

This legend from antiquity tells a tale of a Rishi of great sanctity and perception who blessed a poor Brahmin with divine water. This water was placed in a Sorai Kai (A type of Gourd) or the vegetable used to make the base of Tambura instrument, and had divine elements to convert anything it came in contact into gold. The Rishi also warned the poor Brahmin not to speak to any one, since this gesture could cause the magical properties of the water to disappear.

In the night the Brahmin took refuge in the sugar cane storehouse of the Chola King. In the morning people where amazed to see that all the cane, had turned into gold, since a few drops had trickled out when this vegetable carrying the water was placed down. When Sri Kulutunga Raja the Second heard this news, he thought that the Brahmin had divine powers to convert anything to gold, and ordered his arrest. The flabbergasted Brahmin was petrified and refused to speak, and adhered to the warning decreed by the Rishi. Away from his family and the solitude of the dungeon finally killed him. His death bought Brahma Hatya or the sin of killing a Brahmin to the King. As atonement the King built many Temples and finally got salvation after completion of Sri Tiruvidai Marudhur Temple near Kumbakonam in Tamil Nadu.

Outside the Shrine of Sri Nagaeshwara, in the courtyard are a carved wooden Dwajastambha (Flag Mast) and Bali Peetham (An area where the subtle energies of the Temple reside).

There is also a stone carving on a slab of Sri Kulutunga Raja the First of Chola Dynasty who built this Temple, and his wife behind the Sri Vrishabha Kambha.

There are remains of an ancient wall and this small slab has inscription in Kannada, inside the Temple.

These inscriptions however have been dated in the Karnataka State Gazetteer Part 2 as 9th century A.D. and the content in this book, page 1144, reads as follows "Bangalore is the capital of Karnataka, and was the capital of princely Mysore from 1831. A popular story is narrated on the origin of the present name. Hoysala King Viraballala had to satiate his hunger with boiled green beans, served by an old poor woman. After the food was served to him, he called this place as 'Benda Kaluru', which became Bangalore in course of time. A stone inscription dated 9th century found at Begur mentions the place as 'Benguluru' and belies the above story".

The Vimanas on all Shrines have sculptures on them, even though not very intricate have an awesome appeal. There is a well inside the Temple premises catering to all Sthala Theertha, and this water is used for all Temple rituals.


Shami Vriksha and Bilva Patra are the revered Temple Trees.

Legend and Historical Information: There is no written or a spoken declaration from antiquity about the Sthala Purana (Legend), except for the fact that this Temple was built, patronised and conserved by the Talakad Gangas and the Chola Dynasties. B.N. Lakshman Deekshitar spoke about an interesting prophecy made when Naadi Shastra (An ancient traditional method of predicting past, present and future using palm leaves) was done to find out more about the ancient past of this magnificent Temple. It revealed that a dominant Sage by the name of Sri Bodayana Maha Rishi and his disciples built Sri Panchalingeshwara Temple between 3000 and 5000 years ago to worship and perform Sadhana (Penance) and not by Chola and Talakad Ganga Dynasties.

Also it is believed that Sri Ravana after loosing the Sri Atma Linga in Gokarna (A place in North Kannara, in Karnataka) , worshipped in this Temple and spent the night there before leaving for Sri Lanka.

According to legend, Sri Ravana the king of Sri Lanka performed penance at Kailash and was given a stone Sri Atma Linga, by Sri Shiva. Sri Shiva decreed that if this Atma Linga was placed on the ground it would have to remain in that particular place for worship. Ravana intended to carry the Atma Linga to Sri Lanka. The Devas (Gods) however feared that with this divine stone in his possession, Sri Ravana would do great harm to them. They implored Sri Shiva, who sent Sri Ganapathy to prevent the Sri Atma Linga from reaching Sri Lanka.

During the journey back home, Sri Ravana, paused at Gokarna and desired to bathe and perform his Sandhyavandana (Evening Prayers) before nightfall. Sri Ganapathi in the guise of a small boy materilised before Sri Ravana, who requested the boy to hold the Sri Atmalinga, while he bathed in a pond.

The boy agreed but cautioned that if taken a long time , would call out thrice and then place this sacred stone on the ground. As pre determined by destiny, Sri Ravana did not emerge from Pooja and rituals on time, and was enraged to see Sri Atmalinga placed on the ground, where it remained firm and immoveable. He attempted to extract the Sri Atma Linga from the ground, but found it to be immoveable, as the Devas had placed the weight of all the three Lokas (Worlds) on the Sri Atma Linga.

This Sri Atma Linga is worshipped to this day in Gokarana as Sri Mahabaleshwara (God of strength).

In the Begur Temple there is a Sri Ravana Vahana (Chariot) that is used to carry the Sri Utsava Moorthi (Festival Idols) of Sri Nagaeshwara and Sri Parvati.

Karnataka State Gazetteer page 223 has informative content about Gangas of Talakad and reads as follows "The Gangas of Talakad ruled in the southern parts of Karnataka from about the middle of the fourth century to the end of 10th century A.D.". The history, the chronology, and the reign periods have been the subject of protracted controversy among the historians. Fleet regarded the majority of the Ganga copper plated as spurious and unhistorical. Lewis Rice however thought that the majority of their copper plates are genuine and dependable for reconstructing their history. Thus the history of Gangas still bristles with problems.

The origin of the Gangas has been narrated only in later inscriptions beginning from the tenth century A.D. According to them they were first ruling in Ayodhya and later at Ahichchhatra and the two princes Dadiga and Madhava migrated to Gangaperur in the South and established their kingdom Gangavadi 96,000 with Nandagiri and Kuvalalapura as their important cities. After some time changed their capital from Kuvalalapura to Manne and subsequently to Talakad. Of these places Ayodhya and Ahichchhatra are in North India; Gangaperur is in Cuddappah district in Andhra Pradesh; Nandagiri is Nandi Hills near Bangalore and Kuvalalapura is Kolar.

Karnataka State Gazetteer Part 1 page 229 "The Gangas are unique in the history of Karnataka. Perhaps few dynasties ruled longer than the Gangas. The whole of southern Karnataka were united under them for many centuries. They also controlled the fortunes of the Deccan for many decades. The dynasty produced some of the ablest military rulers and distinguished men of culture. The Ganga Monarchs called themselves as Dharmamaharajas and this is reflected in their administration. They followed the tenets of Manu and Kautalya in revenue, military and judicial departments. The Gangas patronized Shaiva, Vaishnava and Jaina religion. They also patronized Kannada and Samskrita literature. References have already been made to Madhava, Sripurusha, Pujyapada, Durvinta, Chavundaraya and other literary men. The Gangas also contributed to the development of art and architecture. They followed the Dravida style of Temple architecture and built many Temples and basadis. Their best specimens of architecture are seen at Shravanbelogola. In the field of sculpture the monolithic statue of Gommateshvara at Shravanbelogola is alone sufficient to immortalise the Gangas. This tallest freestanding image has been considered as a unique sculpture in the art history of the world. The Gangas erected large number of hero-stones of high artistic merit.

Their bronze sculptures though rare are of excellent workmanship. Thus the Gangas distinguished themselves in the history of South India".

Festivals:

Seven Days before Anuradha Star, during Chaitra (Mar-Apr) is Dwaja Rohana or hoisting the Vrishabha Flag on Dwaja Stambham (Flag Mast) inside the Temple. On the seventh day the Chariot Festival commences and different embellished Chariots carry the Utsava Moorthi (Festival Idols) of Sri Nagaeshwara and Sri Parvati. Some of the Chariots are Sri Nandi Vahana, Sri Vrishabha Vahana, Sri Shesha Vahana, Sri Gaja Vahana, Sri Soorya Mandala and Sri Ravana Vahana etc. During the last day of Temple Chariot Festival, Utsava Moorthi of Sri Nagaeshwara and Sri Parvati are taken out in a decorated Palanquin, and about 20 Utsava Moorthi from neighbouring Temples come here in decorated palanquins and participate in this grand Festival.


During this Festival, Kalayana Utsava or the marriage ceremony of Sri Nagaeshwara and Sri Parvati is conducted.

Shiana or consumation of these marriage vows between Sri Nagaeshwara and Sri Parvati is celebrated on the last day of this 13th day Festival. For this ceremony the idols are placed on a specially constructed bed with offerings of fruits and milk etc.

On Shiva Rathri (Feb), four Jaama Abhishekam are performed here. These special Abhishekam start at 5 AM and continue till 10.30 AM of the next day, and the Temple is opened for devotees to come and take part in these rituals.

Special Poojas are performed on Karthika Somvara (Oct-Nov), and the Temple is open from 5 AM to 10 PM.

During Navarathri Festival (Oct-Nov), Lalitha Sahasranama Pooja is performed to Sri Parvati. On the last day (Vijaya Dashami), Utsava Moorthi (Festival Idols) of Sri Nagaeshwara and Sri Parvati are taken out to the village in an adorned palanquin.

On Ugadi, Sri Rama Navami and Shankara Jayanthi (Adi Shankaracharya’s birthday) special Abhishekam’s are performed here.

Kalayana Utsava is performed on request of devotees, and the Temple Priest chooses the time and date for this ceremony.

Prodosha (Monthly) Poojas are performed in the evenings on the second day before Amavasya (New Moon). During Dhanur Maasa (Dec-Jan), daily Poojas are performed at 3.30 AM and Mangalarati is performed before sunrise.

Sri B S Ananth Deekshitar is the chief priest, and his family has been the caretakers and priests (Archakas) of Begur Temple for the last 1300 years, and authorised by the Chola and Talakadu Dynasties. He says that this Temple is an energy zone and standing in specific places in the Temple have positive attributes and helps in mental peace, protection from enemies, diseases, skin problems, spiritual enhancement and protection from black magic etc.

Abhishekam are important rituals performed here, and a few performed here are Rudra Abhishekam and Panchamritha Abhiskekam etc. Homams are also performed, and Yagnas are performed in a Yaaga Shaalas during Festivals and other important ceremonies. Rudra Abhishekam is performed on Monday mornings. Evenings generally Bhajans are sung, and other specified Poojas/Abhishekam or Homams as requested by devotees are performed.

Abhishekam is a ritual where the Linga or Idol is decanted with fruits, milk, Vibhuthi (Sacred Ash), ghee, sandal powder, honey, sugar cane curds, tender coconut, rose water etc

Sri Shiva is known as Abhisheka Priya (to be fond of), and Sri Vishnu is known as Alankara (Decorations) Priya.

Just to enumerate particular and unique info about the temple:
Boasts of Five lingas , each having its owns specialties.
One of the Oldest Ganesha idol in south is in the temple
In the temple you will the oldest mention of the world of "Bengaluru" in Stone slab.
Inscription is much older than the famous story of Benda Kadalu.
The slab is in a neglected state and needs immediate attention.
Temple is a Bhaskara Shetra ( Sun God ).
Temple has a rich history and received the patronage of many rulers.

Note: The best time to visit the temple is 7:30 AM in the morning and 6:00 PM in the evening. Temple has a bus stop in its name in Begur . There are many buses which ply from KR Market and other areas to Begur. (343 Series of BMTC Buses Ply on this Route)

Credits