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Vathapi Ganapathim Bhajeham

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Vathapi Ganapathim Bhajeham
Vathapi Ganapathim Bhaje By Muthuswami Deekshithar. This is a very popular first song in concerts of Carnatic Music.. It is a prayer addressed to Ganesa of Badami written in Raga Hamsadwani(sound of a swan).

Pallavi:

Vathapi Ganapathim Bhajeham
Vaaranaasyam Vara Pradham Sri


Meaning:
"I worship('Bhaje+aham') Lord Ganapathi hailing from Vathapi, he who has the face('haasyam') of an elephant('vaara') and showers('pradham') his devotees with boons('varam')".

Anupallavi:

Bhoothaadhi Samsevitha Charanam
Bhootha Bhautika Prapancha Bharanam


Madhyamakala Sahityam:

Veetharaaginam Vinutha Yoginam
Vishwakaaranam Vigna Vaaranam


Meaning:
Dikshithar sings "All the elements('bhoothas' as in panchabhoothas) worship('sevitha') his feet and surrender('charanam'). He pervades('Bharanam') the world consisting of the five elements('Prapanchabhootha bhauthika'). He is beyond('raaginam') desires('veetha') and is praised('vinutha') by all the yogis. He is the cause('kaaranam') of creation('vishwa' as in world) and is the destroyer('vaaranam') of all obstacles/sorrows('vigna')".

Charanam:

Puraa Kumbha Sambhava Munivara Prapoojitham Trikona Madhyagatham
Muraari Pramukhaadhyupaasitham Moolaadhaara Kshetrasthitham
Paraadhi Chathvaari Vaagaathmakam Pranava Swaroopa Vakrathundam
Nirantharam Nithila Chandrakandam Nijavaamakara Vidhrutekshu Dandam


Madhyamakala Sahityam:

Karaambujapaasha Beejaapooram Kalushavidooram Bhoothaakaaram
Haraadhi Guruguha Toshitha Bimbam Hamsadhwani Bhooshitha Herambham


Meaning:
Dikshithar refers to sage agasthya in the first line of the charanam alluding to him as the sage('muni') born('sambhava') out of a jar of water('puraa kumbha') and sings "He(Lord Ganesha) is worshipped('prapoojitham') by sage agasthya(described as above). He resides in the middle of('madhyama') of the mystic triangle('trikona') and is praised and worshipped('upaasitham') by Lord vishnu('murari') and other important gods('pramukhaas'). He is present('sthitham') as an important deity('mooladhara') in all divine places('kshethrams'). Starting with 'paraa', he is present in the form('aathmakam') of the four varieties('chathwaari') of sounds('vaagaa'). He has a twisted trunk('Vakrathundam') and has on original form('swaroopam') of a 'pranavaa'. He always('Nirantharam') bears('Nithila') a crescent('Chandra') on his forehead('gandam') and possesses a sugar('ikshu') cane('dandam') on his left hand('vaama kara'). In his lotus-like('ambuja') hands('karam'), a noose('paasha'), a goad and fruits('beejapooram'). He drives away('vi+dhooram') all evils('kalusha') and has a gigantic form('bhoothaakaaram'). His form('bimbam') is adored('toshitha') by the gods like Hara,guruguha and all others. He is the Lord Heramba ornated('Bhooshitha') by the Raga Hamsadhwani."

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